Hey baby get up on this right here. This project is titled “Don’t Believe The Type”* and if simple looks are first looks are simple looks are final words, this is tight. Discover how explosively 3D and graphicky-modern type can be in these examples. I’d LOVE to have a stack of stickers of these amalgamations. Designed by none other than Marta Cerdà Alimbau herself. Such glitz, such magnificence.

*the project is called Don’t Believe The Type because it’s part of an exhibition of projects all called that too. Check out the description right abouts below this.

Project: Collaboration for the exhibitions of www.gofonturself.com.au and for the Ship of Fools exhibition “Don’t belive the type”. I tryed to make a tacky, kitch, vulgar and acid piece, where we can read some lines of the world we are living in. Very aged and retro, as if it was part of an old ridiculous civilization, allready dead. We try to make letters beautful, more attractive, more visible, when many times, consciuos or not, the content of the message we’re working on is totally wrong. This is an exaggeration, it’s not ment to be a beautiful typographical piece, it’s more a personal refletion.

This post is part of the World Famous Design Junkies brightness category.

So it seems that there’s going to be a book coming out soon that’s a photo recounting of the Glow In The Dark tour that happened a year and a few months ago. The tour featured Kanye West as the headliner, Rihanna, Lupe Fiasco, and N.E.R.D.. It was pretty neat. People at the concert were told basically that if they took photos they’d be shot with lazers and chopped into bits. But we did it anyway. Here’s a bunch of lovely colors for you.

Some of the more flashy pictures you’ll see are actually of the crowd (because it was fabulous to see a sold-out arena all making the same hand movements) and of N.E.R.D. who just had one giant long LCD screen with lightening, water, disco balls, fire, everything going across it in flashing lights.

A couple of Rihanna, a couple of Lupe Fiasco, and a bunch of Kanye’s spaceship adventures.

Kanye, if you’re reading this: If you’d like these pictures to be taken down, just click and shout, otherwise take note of how medium-quality they are and see how it’ll more than likely sell some more books rather than hurt the movement of the pages.

This post is part of the World Famous Design Junkies Outer Space

Oh hooray. Here it is. This is Barack Obama calling Kanye West a jackass. What a perfect reaffirmation that this is exactly the kind of person I voted for. Thank you President Barack Obama for being the most earthbound president in my lifetime.

Below the audio also check out a few parodies of the 2009 MTV Video Music Awards that’ve come out in the past few days. Lovely graphic anomalies.

[audio:http://worldfamousdesignjunkies.com/wp-content/uploads/2009/09/obama__lBr.mp3]
Barack Obama calls Kanye West a Jackass. Courtesy of whoever from ABC it was that leaked this “off the record” part of their recent presidential interview. Thanks buddy!

Q: Were your girls as hacked off as mine were that Kanye gave Taylor Swift the Joe Wilson treatment?

Obama: I thought that was really inappropriate. You know it was like she’s getting an award — why are you butting in? I, I hear you — I agree with you.

Q: So does that count as the first question?

Obama: The young lady seems like a perfectly nice person. She’s getting her award. What’s he doing up there? He’s a jackass. (Laughter) No, now — this — all this stuff — I’m assuming all this stuff. Where’s the pool? Come on guys. Cut the president some slack. I got a lot of other stuff on my plate. Yeah. Cause I remember last time it was the fly thing. Now that was the highlight of (trails off)

Q: No that worked out well for you. You were a ninja.

Obama: Except PETA… (laughter)

Images below courtesy of Dschwen, Lowbee Messageboard, Kanye West Apology Generator, and the rest of the internet, wherever you are.

Hail all you Basterds! It’s the first ever World Famous Design Junkies Tyler Stout post! This dude is spectacular. He’s splendiferous! He does screenprinted movie posters like no other! And tuh-dah, he’s just done one for the newest Quentin Tarantino movie “Inglourious Basterds!” Take a peek at the ingloriousness of it all, then explore the whole Tyler Stout collection ala the gallery right down there below!

Yelling!

INGLOURIOUS BASTERDS
SUPER LIMITED VARIANT EDITION AND REGULAR EDITION.

Poster by Tyler Stout. Edition of 80. 6 color screenprint w/ metallic inks. 24″x36″.

Hand numbered.

Whether you want to hang this up or blow a hole in it with a Howitzer, that’s your business. Either way, you’re letting people know that you ARE NOT DOWN WITH NAZIS!

Poster by Print Mafia. Commissioned by The Alamo Drafthouse Cinema for IB Premier at the Alamo. Printed by D&L Screenprinting.

Holy crap get in contact with this guy before he’s some kind of international superstar and can no longer take your calls!

ILLUSTRATION WORK: WORK@TSTOUT.COM
PURCHASING INFO: SALES@TSTOUT.COM
OTHER QUESTIONS: INFO@TSTOUT.COM

and for snails
TSTOUT
16313 NE CAPLES RD.
BRUSH PRAIRIE, WA 98606

If you want to buy any of these prints : good luck! For info on further releases, just email the dude with the address(es) above and ask to be put on the mailing list. But why are these all totally sold out? You might ask. Each of these prints is designed and illustrated by Stout. He on occasion has some art direction from the people he’s hired by, but not very often. Not very often at all. He’s trusted to be wickedly sick and amazing. And each of these prints, though offered in different color editions, are made in very limited amounts.

Getchas while they is still haut!

This post is a part of the World Famous Design Junkies Collections category – take a peek through for the easy-to-sift resources you need for the wildness you crave. Also, of course, it’s a part of the WFDJ illustration group. Get your pencils out and scribe a master copy!

A fun iconized view of communication history over the past couple hundred years, starting with the Bell telephone. Taking cues from Computing, Current Events, Writing and Print, and Broadcasting, Geo Panch design group runs this timeline all the way through to 2007. In 2007 designed for the greater good of the world, was the all-encompassing perfect machine that made the world a perfect insta-speak village. Can you guess what this apex is?

Yes the iPhone.

I think we’ve got a long way to go, people! But this chart is amazing nontheless! Take a peek at the yellow red green and blue of this 122 year span, and wonder to yourself why there’s no cup on a string in there. That’s what I wanna know!

Informational graphic poster depicting the history of communications in the past century.

After you’re done here, send your eyes on over to the Geo Panch Design and Direction online portfolio. Then get some World Famous Design Junkies pixels in your stomach for a well-balanced diet.

An Unusual Update: Since this post was originally posted, lots of updates have happened. And Pharrell is a man of creativity and fine taste, so I tastied the post up a bit of a bit. It now contains Pharrell’s silliest interview with Paper magazine, a super-list of every song Pharrell has sung in, and super-amazing shiny colorful photo coverage of the Glow-in-the-Dark tour that NERD traveled on with Rihanna and Kayne West. No photos of them though, just Pharrell and club, N*E*R*D. Enjoy this unique re-up gang post.

First, the interview with Paper Mag, then a list of every song Pharrell has sung in, then photos of Glow in the Dark. All photos not a part of the interview are taken at the Target Center, downtown Minneapolis, Minnesota, USA, 7:37PM to 11:44PM on June 11th, 2008.

PaperMag/ There is no stylist waiting in the penthouse of The Raleigh Hotel in Miami. There is no rack of designer clothes, no table piled with jewels. Every article of clothing and glittering accessory for this shoot arrives with [N.E.R.D] frontman, super-producer, style arbiter and newly-minted jewelry designer, [Pharrell Williams.]

He strolls in just before noon wearing a black T-shirt and red baseball hat from his own line, [Billionaire Boys Club], a pair of high-tops that are by [A Bathing Ape], and a diamond-encrusted [Jacob & Co.]-designed keychain that’s hooked on the belt loop of the dark, slim-cut [Levi's] he picked up in Tokyo last week and from which the key to his Ferrari Enzo dangles. It’s a look of studied nonchalance that [Kanye West] might spend an hour calculating, but when Williams says it’s just something he threw together, somehow I believe him. And that’s the beauty of being [Pharrell Williams.] Since everything he owns is already imbued with his own stylistic stamp, he can roll out of bed, throw on a pair of jeans, a T-shirt and his most comfortable [kicks] and, like that, he’s ready for his close-up.

“Style is about who you are, where you’re going, what’s comfortable,” he says with a shrug, stepping out onto the wraparound balcony where the photographer waits. “It’s your attitude that makes it hot.” He presses the sole of one sneaker against the wall and peeks out at the camera from under the stiff brim of his hat, his [4.5 carat diamond studs] and 23 carat Asscher-cut ring, both designed by his close friend and gem mentor Lorraine Schwartz, glinting in the Miami sun. As the camera clicks, he admits that he has never used a personal stylist, which makes sense. He’s one of the world’s most watched stylemakers — a setter of trends, not a follower. Still he feels the need to clarify. “I don’t want to sound snotty or cocky,” he says for the first of several times. “Let’s just say I’m blessed to have my own company. [Whatever I want, I can have it made].”

alt=”Pharrell Williams Interview Photo” title=”Pharrell Williams Interview Photo”

Can and [does.] Everything in his possession seems to be a specially customized creative collaboration of some kind. The Goyard wallet stamped with his initials. The iced-out [BAPE G-Shock] watch (another [Jacob] co-creation) with the cartoon logo that was featured on the cover of his debut solo album, [In My Mind,] hidden on the underside. The white leather belt with the oversized N.E.R.D buckle. The bug-eyed shades from the Millionaire line he designed for Louis Vuitton. Even his boxers are BBC. But as conversation pieces go, The Bag has no rival.

“Don’t call it a murse,” he says, pulling out his second look from the gargantuan purple croc Hermès tote, which he has accessorized with another Jacob keychain, this one covered in yellow diamonds to match the bag’s gold hardware. “It’s not a man purse. It’s my travel bag.” A custom-made Haut a Courroies to be exact, the bag that inspired the smaller, obsessively collected style that was named after British actress Jane Birkin. Williams declines to say how much he paid for it because that would be “tacky,” but when pressed, admits that it costs as much as a high-end Mercedes. He has six of them in various colors. And another on order.

(Top) Bag by Hermès; (bottom) shoes by BAPE.

His style and taste level have evolved by leaps and bounds since he blew his first big paycheck — about $15,000 for writing the 1992 Wreckx-n-Effect hit “Rump Shaker” — at the Polo store. His first piece of jewelry, a necklace purchased from a diamond district dealer named Tito whom he’d heard people like Biggie rapping about, cost about the same. “It was called a handmade chain. White gold. I was a backpacker then, so I’d be riding in my little Porsche with a backpack, handmade chain — couldn’t tell me nothing.”

These days, he spends more time on private planes or pimped-out tour buses than cruising in his fleet of luxury vehicles. He’s about to hit the road with Kanye West, Lupe Fiasco and Rihanna for a U.S. tour, then N.E.R.D is off to Europe for the summer. While his buddy Kanye plays with the idea of nerd chic, Pharrell Williams lives it. “It’s not that I’m necessarily proud of being a nerd,” he says, as if he isn’t the coolest one around. “It’s who I am.” After detailing the fashion history of his pricey bag, he seems slightly embarrassed that he has no idea how to spell the name. When I find it listed in my notes and show it to him, he closes his eyes and tries to spell it from memory, grimacing when he gets one letter wrong. His favorite television channel is Discovery, and when he finally recalls the name of the movie that gave him an idea for a song the other night, it’s the quintessential hipster nerd flick, Rushmore. He strips down to his boxers to change outfits in the middle of the penthouse, revealing the lanky body of a teenage boy and, although he just celebrated his 35th birthday, responds like one when asked what he likes to see a woman wearing: “Other than nothing?” His only response to the inevitable follow-up question — dating anyone? — is to look down at the jeans he’s slipping into, which I take as a non-verbal “no comment.” If he is single, he’s not looking to mingle. His partying days are over. “Who wants to be around loud music and drunk young bitches all night? I ain’t with that at all.”

Pharrell wears a t-shirt and hat by BBC Ice Cream, jeans by Levi’s, earrings by Lorraine Schwartz and BAPE G-Shock watch by Jacob & Co.

He prefers to be in the studio here in Miami, the city he calls home, and finds his creativity flows best when he’s on a plane, in the shower or walks in circles. “That’s sort of what my album is based on — synesthesia,” he says of his new N.E.R.D album Seeing Sounds. He’s surprised that I don’t know what that is, as if this is basic common knowledge, and offers a detailed explanation. “Synesthesia is when your eyes, for example, send electric impulses to your brain, to the vision department, sometimes it sends that same information to the auditory part of your brain. So we see music.” Mick, his low-key assistant plays some tracks on his MacBook while Mike, his assistant’s assistant, and Ben, his enormous security guy, sit idly by. One song is called “Yeah you,” and it was written about the only woman in Williams’ life that he is willing to talk about publicly. “I have a full on stalker in Japan,” he says. “I didn’t do anything and she just started stalking me out of nowhere. I’m telling you, out of her goddamn mind!” He has another persistent fan stateside, and this ditty, with its chorus of “I bet you heard this song, wondering who I’m talking ’bout,” probably isn’t going to do much to shake them.

In addition to the new album, the multitasking Williams has a newly opened Billionaire Boys Club/Ice Cream store in New York, and a new venture, a jewelry line for Louis Vuitton, hitting the market soon. Standard hustling for the hip-hop world, but how many other rappers would travel to Basel, Switzerland to attend a jewelry trade show and learn about the business of bling? “He’s very studious,” says Lorraine Schwartz, his personal diamond merchant, who invited him to the Basel show six years ago when he first became a client. “He’d come to our office and look at stones with the cutters. He was really fascinated by the design, the workmanship.”

Not only did he take it upon himself to learn about everything from baguettes to bezels, clarity and cuts, Schwartz says he has educated his hip-hop brethren on the subject. “You can actually credit Pharrell with a lot of the changes that happened in the hip-hop world. A lot of those guys were about wearing pave, blingy objects, you know, Jesus heads. They had no idea about quality. It was just about the look. Pharrell doesn’t buy something because it’s fashionable. Pharrell makes fashion.”

Pharrell wears a t-shirt by BBC Ice Cream, jeans by Levi’s, earrings and ring by Lorraine Schwartz, BAPE G-Shock watch by Jacob & Co. and belt buckle by Jacob & Co.

Schooled in the basics by Schwartz, the consummate student earned his graduate degree at the Université de Vuitton when his friend Marc Jacobs tapped him to design the jewelry line Blason. “There I learned more about the artistry of different periods and functionality,” he says of the collection, inspired by French heraldry, that he designed with Vuitton creative consultant Camille Miceli. “It was a learning experience. And I love that I got paid to learn.”

His desire to branch out — he co-designed with Domeau & Pérès two chairs and a table that will be part of a show at Emmanuel Perrotin’s gallery in October — may have resulted from his close relationship with Nigo, the Japanese founder of A Bathing Ape and his partner in Billionaire Boys Club who got him into collecting art, particularly the work of conceptual artist Kaws, whose three-picture Smurf series hangs in Williams’ Miami apartment. “Meeting Nigo was a confirmation that you could turn your imagination into reality if you really, really want to,” says Williams. Wasn’t he already doing that? “I thought I was until I met him. He does it across the board, the whole gamut — his house, his stores, his idea of design — he’s a genius.”

So is Vogue editor-in-chief Anna Wintour, in Williams’ opinion, and when the subject of LeBron James’ controversial Vogue cover with Gisele Bündchen comes up, he snaps out of the bored stupor the fourth round of photos has put him in. “I was happy to see that it happened,” he says about seeing the first black man on the cover. But what of the racist imagery? “I’m black so I don’t get King Kong outta that. I think that says something about the person who sees that. [LeBron] doesn’t look like a monkey to me.” He wants to be challenged and when he is, a heated debate ensues. “It’s an iconic picture for fashion. That’s the most important thing,” he says. “And I hate it when people drum up controversy over stupid shit like that. It’s like, yo, look at it objectively. Remove your own personal baggage. Artistically, it’s an iconic picture and it will go down in the books as striking, brave, risky, edgy — and that’s what fashion is. Now, had we given him a safe picture, no one would care. And some of us might even be complaining — ‘See they put him in a suit? They couldn’t give him nothing iconic!’”

His perspective on this particular issue is uniquely his own. One of the few black men who has been featured editorially in Vogue, he is also a personal friend of Wintour’s. “That’s why I love her,” he says. “‘Cause she doesn’t give two fucks about what nobody thinks — even when she does controversial shit, it always goes to her benefit. She’s a genius chess player. And far from racist.” Ten minutes later, he’s still debating. “Shit, it might have been considered racy if it had been me in gym shorts screaming like that, but I would’ve looked crazy as hell. ‘Cause that’s not who I am. But [LeBron] is a monster on the court. You goddamn right, let him in there in some gym shorts, basketball in one hand screaming like the monster that he is with the baddest bitch in fashion.” He claps lightly. For the picture? Anna’s perceived bravery? Himself? “I applaud it.”

Pharrell wears a t-shirt and hat by BBC Ice Cream, jeans by Levi’s, earrings by Lorraine Schwartz and BAPE G-Shock watch by Jacob & Co.

For his last shot of the day, he’s asked to step out on the balcony and hold his enormous Haut a Courroies tote out at arm’s length for four frames. “Four?” he says, letting the photographer feel how heavy it is. He nods at his beefy security guy. “I’m not him.” After the camera’s final click, he drops the bag to his side and ambles inside, mumbling, “I think I just pulled something.”

He’s heading to the studio now where he’s working with Common, but it turns out the Ferrari key was purely decorative. Parked in the hotel driveway is his silver Mercedes SLR McLaren. So on a typical day, after he leaves the studio, what does he do? Have dinner and go home? “Yes,” he says. “That’s a good day.”

Info/
Pharrell Williams interviewed by Erica Kennedy
Photography by Dan Monick at the Penthouse of the Raleigh Hotel
Published online on May 23, 2008.
It is also published in the 2008 June/July music issue of Paper.
[Source: Papermag]

Pharrell Williams songography with wiki links:
1994: “Tonight’s The Night” (BLACKstreet feat. Tammy Lucas)
1996: “When Boy Meets Girl” (Total feat. 112)
1996: “Use Your Heart” (SWV)
1997: “Lookin’ At Me” (Mase feat. Puff Daddy)
1998: “SuperThug” (Noreaga feat. Pharrell & Tammy Lucas)
1998: “It’s All Yours” (M.C. Lyte feat. Gina Thompson)
1998: “I Can’t Make A Mistake” (M.C. Lyte)
1999: “Oh No” (Noreaga feat. Pharrell)
1999: “Recognize” (Ol’ Dirty Bastard feat. Pharrell & Chris Rock)
1999: “Got Your Money” (Ol’ Dirty Bastard feat. Kelis)
1999: “Good Stuff” (Kelis feat. Pusha T)
1999: “Caught out There” (Kelis)
1999: “The Funeral” (Clipse feat. Pharrell)
2000: “I Just Wanna Love U (Give It 2 Me)” (Jay-Z feat. Pharrell)
2000: “Get Along With You” (Kelis)
2000: “Supa Luv” (Guru’s Jazzmatazz feat. Kelis)
2000: “Southern Hospitality” (Ludacris)
2000: “Shake Ya Ass” (Mystikal feat. Pharrell)
2000: “Girls Dem Sugar” (Beenie Man feat. Mýa)
2001: “Grimey” (Noreaga feat. Pharrell)
2001: “Danger (Been So Long)” (Mystikal feat. Nivea)
2001: “Knock Yourself Out” (Jadakiss feat. Pharrell)
2001: “Dem Thangz” (Angie Martinez feat. Q-Tip)
2001: “Candy” (Foxy Brown feat. Kelis)
2001: “Wait a Minute” (Ray J feat. Pharrell & Lil’ Kim)
2001: “Formal Invite” (Ray J feat. Pharrell)
2001: “Lapdance” (N*E*R*D)
2001: “Young’n (Holla Back)” (Fabolous)
2001: “Best U Can” (Tha Alkaholiks feat. Pharrell)
2001: “Diddy” (P. Diddy feat. Pharrell)
2001: “I’m a Slave 4 U” (Britney Spears)
2001: “There She Goes” (Babyface)
2001: “I’m Serious” (T.I. feat. Beenie Man)
2001: “Young, Fresh n’ New” (Kelis)
2001: “As I Come Back” (Busta Rhymes)
2001: “What It Is” (Busta Rhymes feat. Kelis)
2002: “Hot in Herre” (Nelly)
2002: “Feel It Boy” (Beenie Man feat. Janet Jackson)
2002: “Pass the Courvoisier pt 2″ (Busta Rhymes feat. Pharrell & P. Diddy)
2002: “Bouncin’ Back (Bumpin’ Me Against The Wall)” (Mystikal feat. Pharrell)
2002: “Take Ya Home (Lil’ Bow Wow)
2002: “House Party” (Latrelle)
2002: “Rock Star” (N*E*R*D)
2002: “Provider” (N*E*R*D)
2002: “U Don’t Have to Call” (Usher)
2002: “Girlfriend (‘N Sync)
2002: “Like I Love You” (Justin Timberlake feat. Clipse)
2002: “Grindin’” (Clipse)
2002: “When the Last Time” (Clipse feat. Kelis & Pharrell)
2002: “Ma, I Don’t Love Her” (Clipse feat. Faith Evans)
2002: “Luv U Better” (LL Cool J feat. Marc Dorsey)
2002: “Amazin’” (LL Cool J feat. Kandice Love)
2002: “From tha Chuuuch to da Palace” (Snoop Dogg feat. Pharrell)
2002: “Pass the Couvoiseur Pt. 2″ (Busta Rhymes feat. P. Diddy & Pharrell)
2002: “Work It Out” (Beyoncé Knowles)
2002: “Come Close” (Common feat. Mary J. Blige)
2002: “Hit the Freeway” (Toni Braxton feat. Loon)
2002: “From tha Chuuuch to da Palace” (Snoop Dogg feat. Pharrell)
2002: “Boys (Co-Ed Remix)” (Britney Spears feat. Pharrell)
2002: “Star” (702 feat. Clipse)
2003: “La La La (Excuse Me Miss Again)” (Jay-Z)
2003: “Show Me Your Soul” (Pharrell, P. Diddy, Loon & Lenny Kravitz)
2003: “I Still Love You” (702)
2003: “Beautiful” (Snoop Dogg feat. Pharrell & Charlie Wilson)
2003: “Rock Your Body” (Justin Timberlake)
2003: “Senorita” (Justin Timberlake)
2003: “Frontin’” (Pharrell feat. Jay-Z)
2003: “I’m Lovin’ It” (Justin Timberlake)
2003: “Excuse Me Miss” (Jay-Z feat. Pharrell)
2003: “What Happened To That Boy” (Birdman feat. Clipse)
2003: “Call The Ambulance” (Busta Rhymes feat. Rampage)
2003: “Belly Dancer” (Kardinal Offishall feat. Pharrell)
2003: “Change Clothes” (Jay-Z feat. Pharrell)
2003: “Light Yo Ass On Fire” (Busta Rhymes feat. Pharrell)
2003: “Milkshake” (Kelis)
2003: “Hot Damn” (Clipse feat. Pharrell, Ab-Liva & Rosco P. Coldchain)
2003: “Drop It Like It’s Hot” (Snoop Dogg feat. Pharrell)
2004: “Maybe” (N*E*R*D feat. Lenny Kravitz)
2004: “Flap Your Wings” (Nelly)
2004: “She Wants to Move” (N*E*R*D)
2004: “Package Of Power” (Lil Flip feat. Pharrell)
2004: “Provider” (N*E*R*D)
2004: “Let’s Get Blown” (Snoop Dogg feat. Pharrell & Keyshia Cole)
2004: “Tit 4 Tat” (Fabolous feat. Pharrell)
2005: “Touch” (Omarion)
2005: “Don’t Stop” (Beanie Siegel feat. Snoop Dogg)
2005: “Like a Boss” (Slim Thug)
2005: “Signs” (Snoop Dogg feat. Charlie Wilson & Justin Timberlake)
2005: “Hollaback Girl” (Gwen Stefani)
2005: “I Ain’t Heard of That” (Slim Thug feat. Bun B & Pharrell)
2005: “Wanna Love U Girl” (Robin Thicke feat. Pharrell)
2005: “Can I Have It Like That” (Pharrell feat. Gwen Stefani)
2006: “Tokyo Drift (Fast & Furious)” (Teriyaki Boyz)
2006: “I Gotcha” (Lupe Fiasco feat. Pharrell)
2006: “Yummy” (Gwen Stefani feat. Pharrell)
2006: “Say Somethin’” (Mariah Carey feat. Snoop Dogg)
2006: “Angel” (Pharrell)
2006: “Vato” (Snoop Dogg feat. B-Real)
2006: “Number One” (Pharrell feat. Kanye West)
2006: “Margarita” (Sleepy Brown feat. Big Boi & Pharrell)
2006: “Wind It Up” (Gwen Stefani)
2006: “That Girl” (Pharrell feat. Snoop Dogg)
2006: “Mr. Me Too” (Clipse feat. Pharrell)
2006: “Money Maker” {Ludacris feat. Pharrell)
2006: “Shakedown” {Ludacris)
2006: “Wamp Wamp (What It Do)” (Clipse feat. Slim Thug)
2007: “Girls Gone Wild” (Ludacris)
2007: “Green Light (Beyoncé Knowles)
2007: “Give It Up” (Twista feat. Pharrell)
2007: “Blue Magic” (Jay-Z feat. Pharrell)
2008: “T.H.E.H.I.V.E.S. (The Hives)
2008: “Everyone Nose (All the Girls Standing in the Line for the Bathroom) (N*E*R*D)
2008: “Spaz (N*E*R*D)
2008: “I Decided” (Solange Knowles)
2008: “Universal Mind Control” (Common feat. Pharrell)
2008: “Announcement” (Common feat. Pharrell)
2008: “My Drive Thru” (Julian Casablancas, Santogold & Pharrell)
2008: “Zock On!” (Teriyaki Boyz feat. Pharrell & Busta Rhymes)
2008: “I Know” (Jay-Z feat. Pharrell)
2008: “Give It 2 Me” (Madonna feat. Pharrell)
2008: “I Decided” (Solange Knowles)
2008: “Hooked on it” (Britney Spears)
2008: “Why Should I Be Sad” (Britney Spears)
2009: “Work That!” (Teriyaki Boyz feat. Pharrell & Chris Brown)

A three color print by a mister Erik, aka Woods & Weather. As you can imagine, one of the layers is glow in the dark. And what a haunting vision it is.

Erik is a Minnesota native, just like the base camp of World Famous Design Junkies and it’s publisher, yours truly. Erik was born in Minnesota, moved to Seattle, went to design school, and moved on back to Minneapolis, where he currently resides. He seems to know the notorious Jenna Brouse, so perhaps we can expect an appearance at this year’s Red Hot Art? Hoopy Super. Check this poster out.

This post is constantly updated, as if it were a blog in and of itself. It’s a place for weird design-related stuff that doesn’t really relate to any sort of portfolio or anything like that. It’s called the lost and found because that’s one of the aims. If you’ve got an idea of where any of these images originally comes from, have a heart and leave a hollar.

Get on up an’ take a peek!